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Newton Booth Tarkington (July 29, 1869 – May 19, 1946) was an American novelist and dramatist best known for his novels The Magnificent Ambersons and Alice Adams. He is one of only three novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner and John Updike. Although he is nearly forgotten today (2020), in the 1910s and 1920s he was considered America's greatest living author.[1] Several of his stories were adapted to film. During the first quarter of the 20th century, Tarkington, along with Meredith Nicholson, George Ade, and James Whitcomb Riley helped to create a Golden Age of literature in Indiana.
Booth Tarkington served one term in the Indiana House of Representatives, was critical of the advent of automobiles, and set many of his stories in the Midwest. He eventually removed to Kennebunkport, Maine, where he continued his life work even as he suffered a loss of vision.
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“An ideal wife is any woman who has an ideal husband.”
-- Booth Tarkington
“Gossip is never fatal until it is denied.”
-- Booth Tarkington
“Whatever does not pretend at all has style enough.”
-- Booth Tarkington
This book and other World’s Classics Deluxe Edition are frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, The Observer′s, BBC’s and The Telegraph’s "100 Greatest Novels of All Time", and The Guardian′s "1000 novels everyone must read".
iBoo Press House uses state-of-the-art technology to digitally reconstruct the work. We preserve the original format whilst repairing imperfections present in the aged copy. All Deluxe Edition titles are unabridged (100% Original content), designed with a nice Jacketed Case Laminate, Digital Cloth Blue Cover with linen textured lamination underneath, quality paper and a large font that’s easy to read.
Enjoy reading.
Follow more of the hilarious life of the boy Penrod Scho eld, his friends Sam Williams, Herman, Verman, Georgie, Maurice, and the love of his life, Marjorie Jones.
The Turmoil is the first novel in the ‘Growth’ trilogy, which also includes The Magnificent Ambersons (1918) and The Midlander (1923, retitled National Avenuein 1927). In 1942 Orson Welles directed a film version based on volume 2, also titled “The Magnificent Ambersons.”
The trilogy traces the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in a fictional Mid-Western town, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, which did not derive power from family names but by “doing things”. As George Amberson’s friend says, “don’t you think being things is ‘rahthuh bettuh’ than doing things?”
